Review: United States of Fear

Over the weekend, I was perusing a…well-known library site in search of inspiration or, failing that, simple distraction. Instead, I found United States of Fear, by Mark McDonald, M.D. And I’m glad I did.

This is a very short book, consisting of only four chapters and clocking in at (according to my reader app) a measly 178 pages. I’ve written that much in two weeks before, but that’s fiction. United States of Fear is very much nonfiction. It’s real, the real life we’re dealing with at this very moment.

Dr. McDonald is a psychiatrist working in Los Angeles. In itself, that wouldn’t be cause for celebration. “Nobody’s perfect,” I would say. What makes his perspective important is that he uses his practice and position to publicly call for a return to rationality, something sorely needed in the world today. As he bluntly puts it, America is in the grips of a mass delusional psychosis. This is very similar to Dr. Robert Malone’s diagnosis of mass formation psychosis; in both cases, the point is that most people in this country have fallen victim to a self-reinforcing, even contagious sort of fear.

We can’t blame that entirely on our elected leaders, so many of whom disregarded not only basic scientific facts and their oaths of office, but all common sense in their quest for medical tyranny. We can’t pin it all on mainstream media, which has displayed perverse pleasure in stoking the fears of its dwindling supply of viewers for two straight years. No, we all share in the blame.

The seeds were sown generations ago. As the author explains, the fear gripping our nation today has its roots in the Red Scare of the 1950s, the feminist movement of the 1970s, the political correctness craze of the 1990s, and this century’s obsession with terrorism. In every case, the dangers existed. Some Americans really were Soviet spies. Some men really were rapists and abusers. Some people really were harmed by callous use of language. And some people really were Islamic fundamentalists wanting to destroy the West. But not all of them, and not all the time.

So it is with the Wuhan virus. Dr. McDonald consistently uses that terminology, and I respect him for that. Call this thing what it is: a biological agent released from a lab in Wuhan, China. (In the short weeks since the book was published, we’ve discovered—confirmed, rather—that it was developed by the United States, but that wasn’t known at the time.) Words have power. Names have power. Refusing to use a name because it is taboo only gives that name power over you.

The virus itself, of course, has little power of its own. Yes, it is infectious, but no more than the seasonal flu we’ve all had at some point in our lives. The currently favored strain, dubbed “Omicron”, is even more contagious, and this follows the normal pattern for viruses: they mutate to become easier to spread, but lose their lethality in the process. “Omicron” case numbers bear this out, as the strain is more like a common cold, and the only people dying from it either already had something very wrong, or else they’ve suffered debilitating immunodeficiency effects from the experimental mRNA treatments we’ve all decided to call vaccines.

As the author explains, and as attentive researchers have known since March 2020, the Wuhan virus is essentially only deadly to those who are sick, morbidly obese, or elderly. The fear effects surrounding it, on the other hand, are well on their way to destroying an entire generation. Year-over-year IQ averages have dropped 20 points since 2020; this is more than a full standard deviation, meaning that the average child of 2021 would be in the bottom third of intelligence when compared to those only a year older. Social development is also being stunted, as these same children are having trouble forming friendships and interpersonal bonds simply because they aren’t allowed to. Even infants are suffering: lip-reading is an important part of acquiring speech, yet it’s impossible when everyone around you is wearing a mask. If all this weren’t bad enough, cases of depression, anxiety, and suicidal thoughts in children are skyrocketing (no surprise, as they’ve done the same in this middle-aged man) and too many parents are too afraid to do anything about it.

Dr. McDonald specializes in child psychiatry, so it’s no wonder he spends a lot of time on that topic. Really, though, it’s a symptom of a bigger problem, which he discusses at length. Most of the fear comes from women, specifically educated, left-leaning women in urban areas. In other words, the same ones who have grown up hearing about “toxic masculinity” and “systemic racism” and other such nonsense. They are socially conditioned to look at the world from the perspective of a victim, and what does a victim want above all? Safety. The Franklin quote never enters their minds, except as an object of derision.

Men, he is quick to add, haven’t done their share. We have let ourselves become passive and weak. Although my experience is tainted by the same sort of depression, I can vouch for this personally. I recognize how much of it comes from social expectations. I was raised in a conservative, Christian environment with firm gender roles. The man, I was always told, is the breadwinner, the protector, the paterfamilias. The woman bears children, takes care of them, and serves in general to nurture. Men are strong in body, women in heart, and that’s the way of things.

Modern progressivism and feminism have turned that on its head, denying that this millennia-old way of looking at the world has any merit whatsoever. To this side of the political spectrum, women are supposed to be independent fighters, the center of a household, and men are relegated to a role one step above that of a sperm donor. We lose control, we lack agency, and the very real biological processes underlying the “traditional” family are completely ignored. Not surprisingly, it is this same segment of the population that expresses the most dissatisfaction with marriage, the least desire to reproduce, and the strongest urge to control others’ lives.

That’s the author’s thesis: America has become paralyzed by fear mostly because it has subverted the traditional social order. And I wholeheartedly agree. It’s what I’ve spent the past two years trying to find a way to say. Maybe I don’t always live up to my own expectations—believe me, I’m well aware—but I understand why I have them. Too many people don’t “get” those perfectly natural urges they feel. And we fear what we don’t comprehend.

Before I close out, I will say that Dr. McDonald also doesn’t have a full grasp on the complexities of the situation on the ground. First, he recommends Telegram and Signal as virtual meeting-places because they are “largely secure” and “inaccessible to the NSA.” This is patently false, and it hides a very important point. Telegram is a censorious platform that has suspended users for posting certain information. Signal’s claims of encryption cannot be verified at the protocol level. Both should be considered suspect at best, compromised at worst, and neither is the friend to privacy that we need. Instead, it would be better to promote truly free platforms such as Matrix and the fediverse, as well as applications like Element which make end-to-end encryption simple and safe.

Second, the doctor repeats the mistaken assumption that everyone in America who needs therapy can get it. Some of us can’t. That’s especially true of in-person visits, which are vital for improvement. Most psychiatrists and therapists in rural areas have switched to virtual-only appointments, have adopted anti-health policies of mandatory masks or vaccines, or have an unwritten rule that every mental problem can be solved by just prescribing more SSRIs and amphetamines. The truly good practitioners—what few there are—are booked for months, and some of us need help now. I know. I’ve been there.

Almost no one has the complete picture of just how much the fabric of our society is fraying. I don’t claim to. I only know what I’ve seen and felt. The America I grew up in began dying over 20 years ago, when so many people decided to throw away essential liberty over the fear that a one-in-a-million event would repeat. But it limped along for nearly two decades. The killing blow was in 2020, and it could have been prevented.

I’ll admit that I was afraid of the Wuhan virus at first. But I learned about it, and I realized it was nothing to be afraid of. Anyone who took twenty seconds to check the Diamond Princess figures could say the same thing: this is a bad flu at worst. Instead, they surrendered to fear, and they forced all the rest of us to go along. They brought us into their delusion, whether we liked it or not, and they have imprisoned us inside it with no clear escape.

Every time you see a person wearing a mask outside, you’re seeing a victim of this fear. Whenever you watch a woman—it’s always a woman, and there’s a good reason for that—taking a Clorox or Lysol wipe to her groceries, you’re watching the result of mass delusional psychosis. Overprotective mothers not letting their children play, or even locking them in their rooms, are but a symptom of a greater disease. The Wuhan virus has two safe, effective treatments: ivermectin and hydroxychloroquine. Our social psychosis has no such easy cure. It will take a lot of work on everyone’s part. Men need to remember that they are men. Women need to be willing to let themselves be protected by those who have evolved to do exactly that. Parents must teach their children that safety is never assured.

“Fear is the mind-killer,” wrote Frank Herbert. A lot of minds have died these past two years, but maybe we can resurrect them.

After the after

Many, many people believe the world as we know it will come to an end soon. Some of those people happen to be in positions to make such a dire prediction come true. So let’s talk about the apocalypse for a moment, why don’t we?

The cause doesn’t really matter for our purposes. Suffice to say, some catastrophe causes a severe drop in the world’s population. How far? Well, we’re close to 8 billion now, so there’s a long way to fall. Obviously, an I Am Legend scenario of the last remaining man is pretty pointless to consider: humanity ends when he does. For similar reasons, a very small remaining population (up to a few hundred) is essentially extinction-level.

The last time humans numbered only a thousand was about 74,000 years ago, at the genetic bottleneck caused by the eruption of the Toba supervolcano in Indonesia. (By the way, climate catastrophists have been unsuccessfully trying to debunk this theory for years, because the idea that a volcano can cause a drop in global temperatures up to 15°C is awfully hard to reconcile with the idea that people are the sole cause for all the climate’s ills.)

Since that fateful day, we have progressed in an almost monotonic fashion. The only major setbacks in recorded history were the Black Death of the 14th century and the lesser-known plague, volcanic winter, and famine years of the 6th century. But our growth as a species really started getting exponential within the last 200 years: the Industrial Revolution. Around the start of that glorious era, humanity numbered less than a billion.

Let’s assume, then, that our apocalypse knocks us under that threshold and, from there, halfway to our doom. In other words, a population of around 500 million, which is just what the “population control” (i.e., genocide) believers want. This mass slaughter can come from a bioweapon or its supposed “cure”, a nuclear exchange, an asteroid impact, or some combination of factors, but we can assume it happens with no last-minute heroics to stop it.

One day, we wake up to find 7.5 billion human lives have been extinguished. Now what?

The first stage

The survivors will need to, well, survive. We’ve all seen that in television (The Walking Dead); literature (The Decameron, not to mention Genesis!); movies (way too many to name); video games (Fallout, The Last of Us, 7 Days to Die); and novels (my own The Linear Cycle, for the shameless plug). Those who survive the calamity band together, scavenge what they can, and fend off the hordes of aliens or zombies or mutants while trying to rebuild society.

While that makes for great drama, cinema or otherwise, it’s been done to death. No pun intended.

As a fan of worldbuilding, I’m more interested in what comes next. What happens after the post-apocalypse? That is, in a sense, literal worldbuilding, don’t you think?

So I’ve been thinking about that a lot lately. I don’t have time to start yet another story (I already have three that are basically stalled because of my new job!), but it’s still a fun topic to contemplate. What would the next iteration of civilization look like, especially if it retained some continuity?

At present, we’re seeing the beginning of a slide into a kind of neo-feudalism. Take away 93% of the population in one fell swoop, and two things could happen. Either the powers that be consolidate that power, or the hollowing-out of society causes a complete collapse that leads to revolution. The latter has precedent: it’s basically how the first feudal period in Europe came to an end after the Black Death. So many people died (one out of every three, in some places) that labor became scarce, and peasants could essentially name their price. They gained leverage over the nobility, pushing them into irrelevance in a gradual process that took about four centuries.

The modern-day nobles, the men and women who claim the right to rule our lives, don’t call themselves lords or bishops or anything of the sort. And they probably won’t even after the vast majority of humans have fallen victim to whatever disaster awaits. No, they’ll keep calling themselves businessmen, politicians, and celebrities even after capitalism, democracy, and mass media are destroyed.

But feudalism requires a certain population density to be worthwhile. So does industry, as a matter of fact, and our figure of 500 million is actually below that, by all accounts. Our apocalypse will have the side effect (or possibly intended effect) of reversing the Industrial Revolution. Maybe even the Enlightenment before it. The medieval era before that? It’s possible. And we should hope so.

Where to go from here

As I said, I’ve been thinking about this one, so…let’s make a new post series. I haven’t done that in a while. This one won’t be anything like “Let’s Make a Language” or “Magic & Tech” in size. Well, it shouldn’t be, but you know me.

The goal for the posts will be to sketch out one plausible post-post-apocalyptic scenario. I’m not saying that’s what will happen once the Omega Variant kills 90% of the world, and The Climate Crisis (capitals to emphasize how stupid the notion is) does for half the rest. No, this is just a possibility.

Again, my focus isn’t on the immediate aftermath of the disaster. It’s the part that comes after, the true rebuilding of civilization. So you won’t hear me talk about killing zombies or building sunshades or whatever. Let’s say that the disaster itself is in the past. What then? That’s the question I want to ask and answer.

This one’s going to be a little different, though. Or that’s how the idea looks in my head. On top of the posts, which I anticipate to come out once a month or so, I want to do something I’ve never done before: make videos.

Yeah, I know. We’ve all seen Bear Grylls and Les Stroud with their camera crews and helicopters. That’s not what I’m about. No, my goal is to build, not survive. To do that, we need technology. We need to create. And that is what I want to do in these videos. I want to talk about technology, its history, its re-creation. Using the materials you might have in the rebuilding era, what can you make? What will have to change?

Assuming I get that far, I’ll post these on a few platforms. Not Youtube, because I don’t believe a series of informational, scientific videos belongs on a platform as hostile to knowledge and free speech as Google’s video silo. Instead, you’ll (hopefully!) find them on places like Odysee, LBRY.to, and Rumble.

But that’s for the future. Until then, dream with me, and let’s hope that we never have to use the wisdom I’ll be giving.

Year of hell

(The title isn’t from a song this time. Instead, this very appropriate name comes from my favorite episode of Star Trek: Voyager, the most underrated of the Trek series.)

One year ago, I was free. One year ago, I had hopes and dreams. I believed I had a chance to succeed, to achieve some of the life goals I’ve had for decades. I lived in a country where this was possible, if unlikely for one such as myself. I was depressed, yes, but I felt like I could see the light, that I could reach it, if only I tried hard enough.

A lot can change in a year.

Now, I live in a dystopian nightmare. I haven’t been inside a business in a full year, apart from five seconds inside the America’s Best store in Hixson last May. I went in to get my new glasses. I’d gotten the prescription in February, but then I had to find the money to pay for them. By the time I finally managed that, the whole world shut down, with the notable bastions of intelligence in Sweden and South Dakota. So I couldn’t actually pick up my order until businesses were “allowed” to reopen.

But it wasn’t that simple. As soon as I walked inside, the cashiers demanded a temperature check, so I walked right back out. My mom, who took me down there (can’t drive without glasses, remember), is less allergic to authoritarianism, so she submitted to the illegal medical exam long enough to retrieve what I had already paid for.

Since then, I’ve mostly stayed at home. And that’s most certainly not because I believe that’s the best way to combat a virus.

No, lockdowns don’t work. We have proof of that. You only need to look at the places that didn’t imprison their entire citizenry for months on end to see the real numbers. Similarly, masks don’t work. That’s why I haven’t worn one since December 2019, when I thought I had the flu. (As it turns out, I had the Wuhan coronavirus. You know how I know? Because it was listed as the flu and an “unknown pathogen” on my release papers.) As I haven’t been sick—in the physical sense, as I know I’m seriously mentally ill—since, I’ve seen no reason to restrain my breathing, trigger my anxiety, and curtail my liberty in that manner.

Well, you might think, what about the vaccine? Uh-uh. First off, it’s not a vaccine, because the purpose of a vaccine is to provide immunity to a virus by stimulating the body’s immune system. The Moderna and Pfizer mRNA treatments don’t do this. They don’t prevent you from contracting the Wuhan virus. They don’t prevent you from spreading it to others. They barely alleviate the symptoms. What they actually do is even worse. Ask Hank Aaron. Ask the nurse from Chattanooga who passed out on live TV. Ask the women who’ve had miscarriages, the perfectly healthy men in their 30s who have suffered serious injury or even death.

The virus has an overall fatality rate of around 0.02%, and essentially no reinfection. (Wait, 0.02%? Don’t the official numbers say 0.26%? Yes, but those are heavily inflated. Per the CDC’s own report, only about 6% of deaths can be traced to the virus itself. The rest are due to comorbidities: preexisting conditions such as obesity, heart problems, kidney failure, etc. Since comorbidities aren’t counted for vaccine deaths, we need to compare apples to apples.)

The mRNA “vaccines” cause serious harm in about 5% of cases, and death in as many as 0.4%. We don’t know the exact figures, because they rely on voluntary reporting, and no one wants to point out that Emperor Fauci has no clothes. However you look at the data, though, it doesn’t lie. On the whole, getting the virus is actually safer than getting its supposed cure!

And that’s merely one more truth the world has decided to deny in the past year. But there are many more.

  • Lockdowns are ineffective. They achieve nothing in terms of slowing the spread of an illness, unless you go to the extremes of a certain communist dictatorship and weld people’s doors shut so they can’t go outside. As sane countries are supposed to respect things like basic human rights and dignity, citizens will go outside. And they should, because the fastest way to end a pandemic is to reach herd immunity.

  • The Chinese virus isn’t even a pandemic. Take away the overinflated death counts, where suicides, overdoses, car accidents, and murders are attributed to a virus simply because the victim tested positive in a flawed procedure three weeks before the time of death, and it never reached the CDC’s defined threshold of pandemic status. That’s when approximately 5% of all deaths are caused by the pathogen in question; only by counting every death under the sun were we able to hit that mark even at the peak last April.

  • The makers of the “vaccines” have ulterior motives. Notice that they are indemnified against all liability, and they’ve received billions of taxpayer dollars. These treatments have bypassed the normal FDA requirements, and why? The virus isn’t another Spanish flu. It’s not smallpox or polio. It has killed fewer people than tuberculosis in the past year.

  • People are suffering. The single-minded focus on this particular virus has caused irreparable harm to our society and our populace. Suicides are at an all-time high. Childhood trauma is rampant. Depression and anxiety, as I know all too well, can make plenty of people wish they were dead, or at least not living through this.

  • The media is not on our side. For twelve months, they have parroted the talking points of a specific segment of the political spectrum. Andrew Cuomo was a hero when he sent infected patients to nursing homes a year ago, killing thousands of elderly men and women. The governors of California, Washington, Ohio, Michigan, Virginia, and many other states have acted in a way more appropriate to the old Soviet Union, if not the feudal era. And not only have journalists not called out these gross abuses of power, but they have lauded them every step of the way.

Twelve months ago, even expressing these ideas was heresy of the highest order. You were instantly branded a denier, a skeptic, an alt-right fascist terrorist. You were called racist, sexist, or any number of other hateful epithets.

Now? Oh, it’s even worse. But some people are waking up. There’s a strong anti-mask movement that isn’t hard to find. The worst government abuses and excesses are finally getting pushback. Alternative social media platforms are gaining in popularity, especially now that the big players—Google, Twitter, Facebook—have deemed scientific accuracy and a love of personal liberty to be violations of their terms of service.


It’s been a rough year. In twelve months, I’ve gone from cautiously optimistic to suicidally depressed. The only thing that gives me hope is the knowledge that I’m not alone in this. Anyone who has taken any time at all to think about what we’re being forced to endure feels the same way. We don’t want a “new normal”, where children aren’t allowed to play, where handshakes and hugs are illegal, where you’re a prisoner in your own home unless you agree to undergo experimental genetic modification. No, we want what we had. What was taken from us.

This “pandemic” isn’t worth the name. Compare the total death counts in the US from 2019 and 2020. Shouldn’t those “500,000 coronavirus deaths” show up there? Look at the flu stats for this winter—rather, the total absence of them. Look at the mental health crisis sweeping our nation, and tell me stopping what amounts to a bad cold is worth that cost. Spare a thought for the record number of suicides in the last year.

Because there were a lot of days where I almost joined them.

The merchants of despair

I am a humanist.

I’ve said that before, but it bears repeating. Now, most people who call themselves humanists do so out of a kind of rebellious nature. They’re agnostics or atheists who disapprove of such labels for whatever reason. Worse, too many tend to be the “militant” sort of atheist who hold their lack of belief with the same dogmatic zeal as the most fundamentalist Christian or Muslim.

I’m not like that at all. Instead, I see humanism as a celebration of humanity and its accomplishments, as well as a belief in its capability for good. We can achieve great things. We have. History is full of human milestones. We’re the only species on Earth (and, as far as we know, in the universe) to domesticate plants and animals, use spoken and written language, harness the power of fire, work metals, build cities, travel to the moon, cure diseases, split the atom, and a thousand other things. Above all, however, we introspect. We philosophize. We are aware of ourselves in a way no other creature has the capability of being.

That’s beautiful, in my opinion. The creations of man, whether mental, physical, or indeed spiritual, are beautiful. While we have made some awful mistakes and inventions, progress is, on the whole, a good thing for everyone involved. The rapid explosion of progress since the two most pivotal eras in history, the Enlightenment and the Industrial Revolution, has given us much to be thankful for. We live longer, healthier lives than our ancestors. We have more material wealth. We understand the world far better than they could hope.

Some people don’t like that, and I honestly can’t understand why. Why are they so dead set on keeping us poor, sick, ignorant, and isolated? A thirst for power explains a lot of irrational behavior, yes, but naked displays of dominance aren’t usually so…insidious. In 2020 alone, we have seen countless examples of human beings arguing for their own extinction, a position not only evolutionarily suspect but morally bankrupt. Yet this position finds backing in the media, on campus, and even in scientific papers. Why? Is there some kind of secret death cult out there?

Until a couple of weeks ago, I would have dismissed that notion as a conspiracy theory on the same level as the Illuminati and Pizzagate. But then I read a book that made everything click.

Humanity’s enemy

Robert Zubrin is best known for his advocacy, often to the point of mania, of manned Mars missions. For over 30 years, he has led the charge in fighting for a permanent human presence on the Red Planet as soon as possible. Growing up, I heard his name on numerous space documentaries, and I still see interviews he has given on the subject. (The series Mars is one example.)

He has other writings, though. In 2011, he published Merchants of Despair, in which he describes an “antihuman” movement that, according to his theory, has been operating for nearly two centuries with the express goal of controlling population by subverting progress.

Numerous examples show the antihumanists in action. Most are concerned with eugenics, the hateful policy of forced sterilization, abortion, and contraception for a specific set of undesirables: blacks, Jews, Indians, Uighurs, the mentally disabled, etc. The targets change depending on who’s doing the extermination, but the principle remains the same. If we don’t stop “those people” from reproducing, eugenicists claim, they’ll overrun us good and pure folk and drag us down to their level. Obviously, any sensible, rational person would reject such notions, but most people are neither rational nor sensible. Thus, population control movements have grown over the past 200 years.

It began with Malthus, who argued incorrectly that the Earth was running out of land for food, and severe measures to curb population growth had to be implemented right now in order to save our race from extinction. His theory was so wildly inaccurate that it couldn’t even predict past resource use, but he had friends and believers in high places. Malthusian principles created the Irish Potato Famine in the 1840s, then racked up an even greater death toll in 1870s India. In both cases, the country in question was a net exporter of food at the time, yet the British government forced residents to starve in order prevent some mythical calamity.

Fast forward to the 1930s, and we know what happened. The Nazis were the gold standard for eugenics, raising genocidal population control to an art form. Following the same principles as Malthus, Hitler argued that Germany would eventually be too crowded to feed itself. But now there was an added wrinkle, because science could “prove” that some races were more degenerate than others. And wouldn’t you know it, but Hitler’s enemies just happened to number among them!

Before the true horrors of the Holocaust were revealed—or even started, for that matter—many Americans were wholeheartedly in favor. Herbert Hoover attended the Second International Congress of Eugenics in 1921, seven years before he would be elected President of the United States and plunge our country into the Great Depression. J. P. Morgan was there, too. Representing the British (45 years after the India debacle, mind you) was Charles Darwin’s own son.


That was before World War II. With the end of the war, the opening of the death camps, and the subsequent Nuremberg trials, the whole world got to see what eugenics really looked like. So you’d think that would be the end of it, right?

Wrong.

Now, instead of open calls for extermination, those advocating population control became more subtle in their efforts. The best way to stop overpopulation, they decided, wasn’t to kill people who were already here, but to stop them from being born in the first place. Thanks to some politicking from such notables as Robert McNamara, forced sterilization became a condition of US foreign aid to Third World countries. Doing it at home (mostly for criminals and mental patients) was legal until the 1970s. The entire Vietnam War can be seen as a eugenics experiment, as those in power took the slogan “Better Dead Than Red” literally.

Abortion as a political and population-control tool also sees its birth in this era. Planned Parenthood formed out of the eugenics movement, and its original goal of choice carefully neglected the possibility of choosing to have children. Around the same time, one Communist Party official in China read up on these efforts and got the great idea of limiting all families in his country to one child each. Never mind the disastrous consequences for the fabric of society. Isn’t running out of food worse?

Yet the biggest crime to lay at the feet of the antihumanists is, in my opinion, environmentalism. In the past decade, and especially in the past four years, we’ve seen more radical forms of the Green movement grow like a cancer in our society, but they were there from the start. The Sierra Club has deep ties to eugenics, for instance.

Hatred

Here’s where it gets interesting. And evil, in my opinion.

We’ve all seen it this year. “Nature is healing,” they say, as they show weeds growing through cracks in concrete or wild animals overrunning a city street. “We are the virus,” they claim, often adding that the Wuhan coronavirus (most likely created in a Chinese lab, so not natural at all) is some kind of divine wrath for our excesses. How a virus with a fatality rate of around 0.1% is supposed to be apocalyptic is beyond me, but you can’t expect logical consistency from some people.

Such extreme environmentalism has been around for over half a century, and Zubrin argues that it shows a more modern form of antihumanism. Instead of calling for deaths or preventing births, green eugenicists want to use economic and government pressure to make having children financially unbearable. To do this, they have blocked the progress of technologies, inventions, and medicines that save lives. We must not help people, they argue, because then those people will breed. Better if they die sick and miserable than be fruitful and multiply.

DDT was the first casualty, according to Zubrin. The endless campaigning against nuclear power is another front in this fight. Though he was writing with incomplete information, he even targets global warming, and here is where the last piece fell into place for me.

We know that the fears of global warming are overrated. Even top climate activists such as Michael Shellenberger (Apocalypse Never) admit this. Current climate trends are well within the limits of human civilization. Sea levels aren’t rising rapidly; the Maldives archipelago, to take one example, was supposed to be completely underwater by 2018, but they’ve now announced that they’re building new airports in anticipation of heavier tourism. Add in the work done by sleuths such as Tony Heller, who illustrate how temperature records are being manipulated to claim accelerated warming, and you get the feeling that somebody somewhere isn’t telling the whole truth.

Earth isn’t going to become a second Venus because we drive too much. In fact, as Zubrin illustrated nine years ago, the slight overall warming predicted through the 21st century is actually beneficial. It increases arable land, and actual climate shifts may open up even more. We’re seeing that today, with record crop yields all over North America.

Those who fail to learn from history will find that it repeats itself. 2020 America is in real danger of turning into a mirror of 1845 Ireland. We have plenty of food. We have plenty of jobs. We have plenty of toilet paper. Yet government control and overblown fears are preventing us from using these resources properly. They’re just saying it’s because of a virus instead of overpopulation by “inferior” races. That’s all.

But the result is the same. Lives are being lost. Not to starvation, as then, but to other preventable factors. Suicidal depression, of course, is one I’m intimately familiar with. Yet we also need to look at the back side of population control. How many children weren’t born because of lockdown restrictions? How many couples didn’t get a chance to meet because they were under effective house arrest? How many relationships ended (or are on the verge of ending, or never really got going in the first place) due to the loss of a job or the failure to find one?

Whatever that number is, it’s not zero. I know for a fact.

Humanity’s hope

That’s why I’m a humanist. I see these problems in the world, and I realize how many of them are of our own making. Worse yet, they’re easily fixed. We have the means to give food to everyone on Earth. We have ways of making power literally too cheap to meter. There is more than enough wealth to go around.

We shouldn’t have to force women into tubal ligation surgery out of some fear that they’ll have too many kids. We shouldn’t distribute condoms as business cards or demand IUD implants as conditions for government aid.

We shouldn’t claim that a one-degree change in temperature is going to wipe out all life on Earth. We shouldn’t argue that the cleanest, safest form of energy production we have is actually nothing more than a way to make bombs. We shouldn’t pack millions of people into unsanitary cities, then deny them treatment for the diseases that inevitably occur.

We can be better, but only if we embrace progress. Not progressivism, but progress itself, the liberal ideals of the Enlightenment which state that, as man is the only animal with the capability for reason, it stands to us to use that reason to shape the world, and society, in a positive way.

To do otherwise is to advocate for death on an unimaginable scale. Earth’s population is roughly 7.7 billion at present. With our current technology, we can easily feed, house, and care for at least twice that. But the goals of the environmentalists, the globalists, and others who, I now see, have been aligned with the idea of eugenics all this time, are to reduce our numbers to pre-Industrial levels. The problem with that is simple to recognize: technology allows our carrying capacity to increase. By banning those advances which produce more food or lead to longer, healthier lives, that capacity drops precipitously.

They would kill not the six million of Nazi fame, but over six billion. Some claim the goal is inscribed on the monument known as the Georgia Guidestones: a population not to exceed 500 million. Think about that. To reach that figure, we would first have to let over 90% of the world die. Then, those who survive would be forcibly limited to replacement-level reproduction. How many children would never be born in such a world? How many artists, statesmen, inventors, scientists, friends, and lovers would never take their first breath?

These are our enemies. They must be, for those who value life must always stand against those who preach only death.

Now I understand the cult-like behavior I see so often in the world. It really is a cult. It’s a cult of despair, destruction, and death. Looked at in that light, the lockdowns, the Great Reset, Chinese propaganda, Antifa, global warming fearmongers, and so many other things make sense. They all share one thing in common: they’re antihuman.

Otherworld and reality

For the most part, I try to make my stories natural. They aren’t necessarily believable, as many of them are set in fantasy worlds, but I strive for realism of the sort that can make a reader feel drawn into the world. So characters act like people. Dialogue is sometimes halting or rambling, depending on the situation. And the settings get a lot of love from me, because I just enjoy worldbuilding.

Otherworld, the setting of my largest series (31 parts and counting!), is no exception. Really, it’s the poster child for my “hardcore” style of worldbuilding, as I’ve stated on numerous occasions. I started developing the world in 2013 as little more than a conlang playground, then redesigned it in 2015 as part of my serious writing push. Through it all, I’ve tried to keep one goal in mind.

This could be our world.

Sometimes, that doesn’t work out. Nobody could have predicted the coronavirus panic this year, that the entire world would shut down for months. So Otherworld stories don’t talk about that; for them (and my other “Paraverse” novels, such as the Endless Forms series), it was nothing more than another swine flu scare. Likewise, the characters don’t have to worry about riots when they’re on Earth. Even the original deus ex machina for getting them away from our planet didn’t materialize: Tropical Storm Chantal was late last year, and it didn’t go where I predicted it would seven years ago.

Despite those flaws, I try to keep Otherworld as close to reality as possible while maintaining the dramatic aspects of the stories. It fits “in the gaps”, so to speak. We don’t know that these things don’t exist. Absence of evidence is not evidence of absence.

The big one

Of course, keeping that fiction alive is hard to do when you look at the overarching hypothesis of the series. To sum it up, the Americas were inhabited long ago, far longer than our theories (as of 2013) suggest. The original inhabitants were advanced, and possibly not even fully human—the truth of that remains a mystery even to me. They didn’t have an empire, but they did create numerous points of civilization that have since been lost.

This culture was far better adapted to the cold, dry climate of the Ice Age. When it ended about 12,000 years ago, their largest settlements sank beneath the rising seas, which is the main reason we can’t find them. (Yes, it’s an Atlantis riff. Sue me.) Seeing this catastrophe, they evacuated, using a set of ten mysterious sites containing wormholes. These linked to corresponding sites on another Earthlike planet, a colder one in general, where they set up shop.

Along the way, they brought the plants and animals they were familiar with. Some of those we know: Otherworld has corn and potatoes, New World raccoons and squirrels, though nothing not native to the Americas, with the possible exception of bottle gourds, which may have come over during the Ice Age. But it, unlike Earth, did not suffer the Pleistocene extinctions. So there are mammoths, sabretooth cats, dire wolves, and a few others.

This ancient civilization also interacted with the “first” Americans. Indeed, they traded with them, taught them, respected them. When their perceived apocalypse arrived, they took some of their neighbors with them to their new home. Thus, Otherworld’s natives are cousins to America’s natives. They aren’t the Aztec, Maya, Inuit, or Iroquois. They’re their own people. But they’re related, and they’re much closer to these than they are Europeans, Africans, or Asians.

Once they crossed over, the two races mostly returned to their dynamic. The ancients continued to learn and teach, even going as far as genetically engineering new sub-races of humans. The less-advanced natives accepted their wisdom, in some cases deifying them.

That worked until Otherworld began to snap out of its Ice Age about 4500 years ago. The ancients, now with nowhere else to go, retreated to high mountains and the Arctic counterpart, pushed along by one of their created races. (One small part of this tale is told in my free novel Seasons Change.) Whether any of them remain is an open question, one I have yet to see a need to answer.

Keeping it real

So that’s the backstory. Almost none of it really matters to the main plot of the stories, except that the characters from Earth are trying to piece it together out of curiosity. Still, I wanted it to be something that sounded plausible and wouldn’t be debunked easily. Yes, I’m aware that we’d probably have found evidence of advanced technology before now. And there’s not a millennia-old temple hidden around Soto la Marina, Mexico. Or Pine Bluff, Arkansas; Fossil, Oregon; Pelican Narrows, Saskatchewan…

Still, there could be. So what about the rest of it? Specifically, the timeline. How does that hold up after nearly a decade of new research?

Pretty well, in my opinion. The “gap” trick continues to work, keeping my ancients safely away from debunking. Even better are some of the findings that have come to light in the past three years.

We used to know the timing of the first Americans. It was a done deal. Call it about 13,000-15,000 years ago. They walked across a land bridge where the Bering Strait is now, then kept going through a narrow corridor between the glaciers in western Canada, following the plentiful game as they rapidly spread out through the two continents. Within a thousand years, they were everywhere from Alaska to Argentina, known by the distinct stone artifacts first found in Clovis, New Mexico.

By 2013, that theory was already beginning to crack. Now, it’s dead in the water. Spear points predating the Clovis style have been found in a number of locations, most notably Gault, not too far north of Austin, Texas. Bone tools in the Yukon site of Bluefish Caves go back a full ten thousand years before the earliest Clovis theories—they’re twice as old as the end of the Ice Age!

I’ve incorporated some of these into the Otherworld series. The remains of a child in Alaska showed DNA markers distinct from any extent Native American populations; she became, in my telling, a possible member of the ancient civilization. A similar find in Mexico dates to the “evacuation” period of my setting, and I’m on the fence as to whether that one represents an ancient or one of their neighbors who stayed (or was left) behind at the end of days.

So far, there’s nothing that really destroys the worldbuilding. In fact, some of the archaeological finds can actually be seen as strengthening it. None of them do so as much as last week’s.

Bombshell

The paper is “Evidence of human occupation in Mexico around the Last Glacial Maximum” by Ardelean et al. Written in 2018, it was published in the online edition of Nature on July 22. Six days ago. You don’t need much searching to find a copy…if you know where to look. (I’m not supposed to link to such sites, of course.)

Chiquihuite Cave is in the Mexican state of Zacatecas. Right in the middle of cartel country, I’ve read, so you can imagine how hard it is to run a dig there. Inside were found nearly two thousand stone artifacts: cores, flakes, blades, points, you name it. A bit of charcoal made from a Douglas fir, found near one of the points, provided an estimated date, and it’s unbelievable if you’re a “Clovis-first” adherent.

28,000 years ago. No joke. Twenty-eight thousand. In other words, about as old as the Bluefish Caves bone, which not only guts the theory that the Clovis points represent the oldest inhabitants of the Americas, but also drives a big nail into the coffin of the “Beringia standstill” hypothesis. That states that the first Americans came over from Siberia during the Ice Age, then settled down in Alaska and northwest Canada for a few millennia, sometimes ranging down the Pacific coast in boats.

Of course, the odds are astronomical that these are the oldest human tools south of Juneau. More likely, they represent a snapshot of a culture that lasted for hundreds or thousands of years, which only pushes the migration date further back in time. So we’re really looking at 30,000 years or more.

The population probably wasn’t very high, and these are nomadic hunter-gatherers we’re talking about. Not the ancients of Otherworld at all, yet Chiquihuite is evidence that people were living in the Americas—all throughout North America, for certain—not only at the end of the Ice Age, but at its height. The climate would have been much harsher then. Cold and dry in general, with a lot of erratic patterns near the glaciers. Sea levels were a hundred or more meters lower than today, so as much as three to five hundred feet, which pushes the coastline many miles out from what we see in the present. In other words, plenty of room to hide an Atlantis.

And that’s what I take away from the Ardelean paper. Beyond the groundbreaking discovery itself, I’m happy to see that my outlandish worldbuilding of seven years ago still survives to this day. With upheaval all around it, my creation stands. It grows. I already consider Otherworld to be my greatest creation. Now, though, I can take even more pride in what I made, because it’s…prescient, in a way.

I hope future discoveries can further enrich our knowledge of the earliest Americans. I don’t hold out hope that we’ll find wormholes and genetics experiments, as that’s too crazy even for me. But any evidence that the indigenous peoples of this continent were growing along similar lines to their brethren across the ocean is welcome. Add in the intriguing possibility that the Chiquihuite culture isn’t related to any known Native Americans, and then you start to wonder what else is waiting to be found. Who were the first people to settle in what’s now the US, Mexico, Central and South America? What kind of world did they inhabit?

Were they more than we believe?

On the weather

It’s hot right now. Maybe not where you live, maybe not when you’re reading this, but today, for me, is a hot, steamy day on the edge of summer. There’s a slight chance of thunderstorms; I can see them on the local radar, and I’d give them 50-50 odds of getting here before they die down for the day.

Weather is an important part of our lives. Unless you live in an underground bunker or a climate-controlled habitat dome (Fallout and Surviving Mars fans can speak up here), you have to deal with it on a daily basis. Some of humanity’s first attempts at controlling the future were purely for the weather: winds, tides, rains, and storms. We go to great lengths to forecast it, and it’s so ingrained in our culture that the most generic icebreaker we have is “How about that weather?”

For storytelling purposes, weather is mostly background information. You don’t even have to put it in, really; it’s assumed to be a sunny day (or clear night) unless stated otherwise. But a little bit of inclement weather can serve a purpose, if thrown in at the right time.

Have you ever seen the rain

Rain, of course, is the most obvious type of “bad” weather. We associate rainy days with dreariness, lethargy, and sadness. Harder rains can cause flooding, while a mere drizzle does nothing but annoy.

But that’s a bit biased. In temperate regions (like most of the US and Europe), rain can fall at any time throughout the year. Warm and cold fronts bring rain, and tropical cyclones can produce massive amounts. That’s how weather works around here. In tropical regions, however, you’re more likely to have distinct wet and dry seasons. The wet season, often what would be “winter”, can see daily showers and light thunderstorms. In contrast, the dry season is, well, dry. Some places, even in rainforests, can go months without even a trace of rainfall. Out-of-season rain is an event for these locales, and it’s usually caused by a storm—in fantasy, there might even be ulterior motives.

Most of all, rain sets a tone for a scene. A rainy day is…blah. You don’t want to go outside. All you want to do is either sleep or stare out the window. That’s a great time for introspection, dialogue, and all the hallmarks of what TV writers call the “bottle” episode. Your characters are stuck together, so now’s the time to let it all out.

The thunder rolls

Beyond rain, we have the thunderstorm. (Okay, some storms don’t have rainfall, or they have the virga phenomenon, where the rain evaporates before it reaches the ground. Bear with me here.) Storms produce lighting, which then creates thunder. Larger ones can drop hail, ranging from tiny pellets to softball-sized chunks of ice. Depending on where you—or your characters—live, tornadoes are also a possibility.

A thunderstorm represents violence, the fury of nature. It’s a good time for characters to wonder if the world is mad at them specifically. The aftermath brings a chance to spot and repair damage, as some severe thunderstorms and tornadoes can destroy houses, knock down trees and power lines, etc. A few, alas, are even deadly. (I used a killer storm in Written in Black and White, for instance.) If you can’t find a story in the tornado outbreaks that struck Joplin, Missouri or Ringgold, Georgia, a few years ago, then I don’t know what to tell you.

Lightning also kills, though that’s rarer. In fantasy settings, especially those with active deities, that might also provide a bit of a hook. For the sci-fi side of the coin, consider the more extreme storms that could occur on other worlds. I don’t just mean the Great Red Spot here; Earthlike planets with thicker atmospheres, for example, would certainly have stronger winds in their storms.

Let it snow

I’m a kid at heart, so snow is obviously my favorite sort of inclement weather. It’s got all the same downsides as rain, but add to those the cold, the lack of traction on icy roads, and sheer weight. Then again, it also gives us snowball fights, snowmen, sledding, skiing, and so on. For children, snow is fun. For the working man, it’s terrible. A perfect dichotomy, if you ask me.

Heavier snowfalls do the same thing as heavy rains and severe storms: keep people inside. (Sometimes, it keeps them inside for far too long. Look at, say, the Donner Party.) But where a thunderstorm usually lasts only an hour or two at most, the aftermath of a blizzard can stick around for a week or more. In places that don’t often see large amounts of snow (like Tennessee in 1993), that causes massive headaches for the populace. Set in older days, before technology allowed us to store over a week of food without trouble, you have an even bigger problem. A two-foot blanket of snow in a place that wasn’t expecting it could be the prelude to a disaster. And speaking of disasters…

The weather outside is frightful

Some of our most destructive disasters stem from the weather. Tornado outbreaks strike across the Great Plains in the US and Canada, sometimes also creeping into the American Southeast. I know those all too well: one 2011 twister touched down less than a mile from my house. Hurricanes and tropical storms, not as common in Europe or on the West Coast, strike the eastern US fairly often. We all remember Katrina and the others from the wild 2005 season, but every portion of the coast has a tale from Andrew, Hugo, Camille, Opal, Rita, or one of the many other retired names on the NHC list.

A true weather disaster is a story in itself, but it can also provide the impetus or backdrop for a story. The storm might be on the periphery, but it will affect the characters even from a great distance. News reports trickle in, loved ones may ask for help—you get the idea. All you have to do is turn on the TV or check the Internet to see what happens when a natural disaster strikes.

And that really goes for anything to do with the weather. We’ve got sites and channels dedicated to nothing else. You can’t miss it. The hard part is figuring out how to integrate it with your story. The first question to ask there has to be: do you need to? Maybe it’s enough to say that it was a cloudy day, or that rain was striking the roof.

If that’s not the case, and you do need a storm to spice things up, think about what they do in real life. They bring people together, either physically (because it’s too dangerous to be outside) or emotionally (every major disaster brings out the charitable contributions). They can destroy homes, change lives. But they can also be a time to shine. We can always find the hero who threw himself atop his kids so the tornado would take him instead, or the boater who made six trips to the houses of flood victims, or whatever you’re looking for.

Or it might just be a little rain. That wouldn’t hurt.

On lunar exploration

The Moon. Our closest celestial neighbor, the body that gives light to our nights. We’re coming up on the 50th anniversary of mankind’s greatest achievement: walking upon that body. And we’re losing the heroes who accomplished that feat. With the recent death of Alan Bean, only 4 of the 12 remain alive.

Something must be done on that front. We can’t let the direct, personal exploration of our natural satellite pass out of living memory. Some private corporations (e.g., SpaceX, Boeing) are looking into the matter. Next July would be a fantastic time to make a power move in that space race.

But let’s take a step back, look at exploring the Moon from a storytelling perspective. That is, after all, what we do here. For the budding author of science fiction, dear Luna presents an interesting setting not entirely unlike Earth’s deserts, the deepest ocean trenches, or the vast emptiness of space.

The right stuff

As you know (unless you’re one of those lunatics—note the pun there—who thinks the whole thing was a hoax, in which case I have nothing more to say to you), 12 American men walked on the surface of the Moon between 1969 and 1972. A total of 24 traveled there, including those who merely orbited it. Stays ranged from a few hours on Apollo 11 to over 3 days on the final mission, Apollo 17. EVAs (moonwalks) lasted as long as 7 hours. And they did it all with 60s-era technology, with so many corners cut that it’s a wonder nobody died in space.

Since then, and even during the golden years of the Space Age, the media has been enamored with lunar exploration and cis-lunar travel in general. But that fascination extends much deeper into history. Jules Verne’s From the Earth to the Moon, written about a century before Neil Armstrong’s small step, set the original standard for the subgenre. Pulp action from the early and mid 20th century painted a distinct picture of the Moon that today’s generation mostly knows from Looney Tunes and The Jetsons.

In the now five decades since Apollo 8’s “Earthrise” picture, we have the data to make much better fictional accounts. Some of the best, in my opinion, are actually biographical in nature: Apollo 13, as well as From the Earth to the Moon, the HBO miniseries named after Verne’s seminal work. More recently, we also have Moon from about a decade ago, the found-footage horror film Apollo 18, and many others. Advances in technology and cinematography can transport viewers straight to the Sea of Tranquility, Tycho crater, or any number of other lunar locations.

Literary fiction doesn’t have movie magic, but the same fire burns in the book world. Andy Weir’s Artemis, for instance, shows that writers’ love for the ball of rock next door has not waned completely. Mars might get more airtime, but the Moon is so much closer. It’s the perfect stepping stone, both for a species and an author.

Magnificent desolation

But the Moon also presents problems. In that, it’s both a setting and a source of environmental conflict, much like the “middle” Mars in my post about the Red Planet. Take out the dust storms (because there’s no significant atmosphere) and the months-long travel time, and you don’t have all that much difference.

The Moon has about half of Mars’ gravity, 1/6 g instead of 3/8, which can present more physiological and medical problems. Lunar dust is a well-known source of trouble. Without air—what little atmosphere the Moon has seems to come from solar wind interacting with dust particles—you have to search for consumables. Radiation is a much greater concern, more like the trip to Mars rather than living on its surface. All told, it’s not a place friendly to life in the least.

Yet there are upsides to the Moon. Besides its proximity to Earth, you have the simple fact that it’s tide-locked to us. Anywhere on the near side will always be in radio contact with some part of our planet. (Conversely, the far side is in total radio silence, one reason why so many astronomers want a telescope out there.) Building material is cheap and plentiful; lunar regolith has the potential to make decent concrete, according to some studies, and recent surveys indicate that our satellite, like so many in the outer system, may have a massive storehouse of water lurking beneath the surface. Also, unlike Mars, Europa, and the asteroids, the Moon is in Earth’s orbit, and thus close enough to the Sun for solar power to be reasonably efficient, so no need for perfectly safe, yet politically unviable, nuclear options.

Sailing the seas

The Moon might not make a good home for humanity. The hazards are too great. In the single sci-fi setting I’ve created, with the present day set in the 26th century, all that progress has seen only limited colonization of Luna. It’s treated more like a combination of Antarctica and an offshore oil platform. Space opera and science fantasy fans might differ on that point, and that’s okay. It’s your call.

Whatever your moon ultimately becomes, it’ll start as an exploration target. Somebody has to continue the story Apollo left unfinished. And that will likely be sometime relatively soon. Definitely in the 21st century, unless you’ve written some serious disaster that forces a period of technological regression, and very possibly in the next decade or two. (A good date for the first lunar colony, if you’re following a realistic timeline, is 2069, of course.) Robotic surveys will come first, as they do, but then you’ll get the flags and footprints, the serious scientific investigations, and all that great stuff.

What those first explorers will find is anyone’s guess; I’m just here to tell you how I would write it. For the Moon, given its hostile environment, its lifeless nature, and its desolate appearance, I can certainly see a scientific thriller aspect. Every step takes you farther from the safety of your capsule/module/whatever. One wrong move can send you tumbling down the slope of a crater. Abrasive dust wears away the seals on your suit, not to mention the damage it might do to your lungs. (It smells like gunpowder, according to eyewitness accounts.)

It’s not hard to create terror on a lunar excursion, and that’s without invoking alien artifacts and the like. If that’s what you’re going for, then play it to the hilt. Yes, this is dangerous work. Yes, anything can go wrong, and the consequences are dire. But it’s a job that has to be done, whether for the good of humanity, scientific progress, or cold, hard cash.

On the other hand, part of the allure of exploration is, well, the allure. You’re exploring a whole new world. Maybe not a planet, but it’s still virgin territory for the most part, and the next wave of lunar excursions may take place hundreds of miles from the nearest human footprints. Wonder is the order of the day. As barren and bland as the lunar surface is, many of the moonwalkers would later wax philosophically about its “stark beauty”. For a story about the exploration itself, about painting a picture with the Moon as backdrop, that’s probably the aspect you want to emphasize. The craters, the rills, the lava tubes and other strange sights.

Exploration is fun. So many of my own works feature it, because I truly believe that humanity’s greatest moments come when we explore. Space is the final frontier, and the Moon is the first step into that frontier, the very border of an endless land of opportunity. It may be inhospitable. It may be inimical to life as we know it. That doesn’t mean it isn’t worth experiencing.

Orphans of the Stars setting notes 3

The world—rather, the universe—of Orphans of the Stars is not quite ours, but it’s meant to be much closer to that than some other futuristic space settings. To that end, I’ve gone into my usual serious level of detail in worldbuilding, in hopes of creating something that stands the test of time. While I’m well aware that no setting can be completely without fault, I like to think that I’ve avoided most of the more obvious flaws.

The important places

Aside from Earth itself, which only appears directly in the Innocence Reborn prologue, the galaxy is a vast expanse full of interesting places. Obviously, the most prominent features of our Milky Way (and the slightly different one of the setting) are the stars themselves. Ours is one of billions, and a fairly ordinary one. Sure, it’s in the top few percent in terms of size, and it’s the only one we currently know of to hold habitable and inhabited planets. But that’s a limitation of our present technology. Future telescopes and instruments will be able to find “Earth 2.0” out there, and one of the primary assumptions of my Orphans setting is that the so-called “Rare Earth” hypothesis is dead wrong.

But let’s back up. As I said, we’ve got billions upon billions of stars out there. All of them, however, are quite far away. To reach them in any reasonable amount of time requires bending, if not breaking, the known laws of physics. That’s one of the few times I explicitly do so, and I’m not afraid to admit that I employ a bit of hand-waving to get there. (Remember that the stories are from the perspective of children. They wouldn’t know the specifics. Yes, that’s intentional on my part.)

I do give FTL travel a number of limitations, mainly for storytelling purposes, but also following some fairly obvious rules to make the process seem more realistic. For instance, it’s limited to the ship, not the surrounding space. There are no hyperspace pathways or subspace tunnels. And that means spacecraft moving faster than light are isolated from “normal” space. They can’t communicate, because they’re outrunning light itself, including EM signals. And radar, so they’re also flying blind. It gets them where they need to go, but there’s always a margin of error, and it sometimes happens that a ship has to spend more time finding its way once it reaches its destination than it needed to get there in the first place.

Those destinations, wherever they are, share one common feature: they’re meant to be plausible, given the assumption of terrestrial planets being common, but advanced lifeforms coming around much less often. The colony of Marshall, seen in the prologue of Innocence Reborn, orbits a star that really exists, one that has no known planets as of 2017. Maybe TESS or Gaia will find something that completely invalidates my efforts, but I hope not.

The same goes for Malacca Colony, the next destination of the renamed Innocence. I described it in some detail in the last part of this series, but now I’d like to talk about it from a wider perspective. Again, it may not be real. It almost certainly isn’t, in fact. But there’s no data I know of (as of this writing) that proves it can’t exist. And that was my goal.

Port of call

Since the world named Malacca figures so heavily in Innocence Reborn, I think it deserves a bit of screen time here, as well. First off, it is a colony world. It’s only got a few hundred thousand people living on it, and they all do their best to prevent contamination of the local biosphere. For the planet does have native life. Not much, and almost none on land, but there’s something there.

Canonically speaking, Malacca Colony suffered a very recent (in geologic terms) mass extinction event. That killed off what little land-based life there was, especially as this particular event was part of a “Snowball Earth” type state. Based on the planet’s orbit around its star, as well as influences of its neighbors and the other two components of the system (it’s a trinary, and the other two stars were only resolved as distinct in 2015), I saw this as highly plausible, and a good explanation as to why humanity felt comfortable “invading”. The colony of Pele, constructed on a volcanic archipelago, has a research center dedicated to studying the extant marine life, and that may come into play later.

Other than that, the world orbits at a greater relative distance, making it colder than Earth overall, and that factors into the colonial experience. Kids get cranky when they’re cold, and that shows in the narrative. But there are other effects, too. The same goes for the planet’s lower gravity, about 70% of Earth’s. People who live their whole lives there tend to be taller. Falls aren’t as painful. Combine that with the lower body temperature (another adaptation), and it’s not too great a leap to posit that they tend to have better cardiovascular health than their homebound counterparts. On the downside, it’s harder for them to adapt to the heavier pull of Earth, and so it goes for a bunch of still-growing children who live there for months.

Beyond the physical characteristics, there’s not a lot to say. I’ve already mentioned the five colonies, and the book itself goes into the reasoning behind that, albeit from a story-internal point of view. From the outside, I’ll say that I wanted the opportunity to have competing factions, even if I didn’t use them. And I think it shows an important part of the setting: humanity is not unified. We—or our descendants—are not exploring the galaxy as a single race. Our divisions, as we know them today, might not exist, but division itself is a constant. With what happens at the end of the sequel (which I won’t spoil for you, as it’s not finalized just yet), that may turn out to be a mistake.

This series isn’t, though. It’ll keep on going, because I’ve only scratched the surface. And I like talking about this kind of thing. I like throwing out my ideas in these behind-the-scenes specials. So I’m going to continue this, but probably not every month from this point forward. Whatever happens, I hope you’re enjoying this look into a possible future as much as I’ve enjoyed creating it.

Orphans of the Stars setting notes 2

So I’m back. Since the last post about this series, I finished the draft of the second novel, Beyond the Horizon. It’s a little different, in that all the flashy space battle action is at the beginning. That, I think, gives it more tension, because you’re expecting more with each new step. I also left the story on something of a cliffhanger, which means I really should work on Book 3.

But that’ll come later. Today, let’s delve deeper into the setting of Orphans of the Stars. First, we’ll start on Earth. Home sweet home.

Lay of the land

After five centuries, you might expect Earth to be unrecognizable. After all, 500 years ago, there was no USA; there were barely even colonies in the Americas. China wasn’t communist, because communism didn’t exist. The Middle East was a different sort of morass than today. And so on. On the other hand, it’s a bit of a modern conceit to think that our current institutions are stable, that they’ll last forever.

For the Orphans setting, I’ve gone more towards that latter end of the spectrum. There are changes, but the broad strokes aren’t too different from what we know today.

First up, the US still exists in my version of the 26th century, and it has mostly descended into the corporate-controlled dystopia whose birth we’re watching in our era. California and New England remain bastions of liberalism (in both senses of the word), evangelical Christianity has lost a lot of its support, and the extreme polarization of nowadays has come and gone. Americans in the setting still hold both the First and Second Amendments in high regard, pointing to them as proof of American exceptionalism, even if they have been weakened severely through the centuries.

Across the pond, while the EU eventually broke up in my extrapolation, it reformed mostly along the same lines. Britain is in a curious spot, as it asserts its independence (Northern Ireland, I’m assuming, rejoined the rest of Ireland) and leadership of a Commonwealth trade pact, while also considering itself a member of this “new” Europe. Many of the other countries of the continent are in much the same position as today, if a bit more extreme. The Scandinavian nations, for instance, have an even heavier focus on quality of life. (Earth’s oldest living human at the time, as I mention briefly in the first chapter of Beyond the Horizon, is a Danish woman.)

Outside the Western world, things are a bit more hit or miss. Russia fell into decline, China gobbled up North Korea, some Pacific islands sank due to rising sea levels (and new ones appeared when the waters receded during a cold snap circa 2300), and so on. Essentially every equatorial nation profited from the rise of cheap, accessible spaceflight: Ecuador tried—and failed—to build a space elevator, while a spaceport in Luanda is the only reason most people even remember Angola exists. And the Middle East, well, it’s still the Middle East. Even 500 years isn’t enough time to fix that.

Slip the surly bonds

An adventure story set in space really needs places to go in space. And, since I’ve already established that Earthlike planets are common in the galaxy, and that FTL travel exists and doesn’t cause any ill effects to the universe at large, it’s only natural that humans would eventually begin to build colonies away from the mother planet.

First of those is Mars. The oldest and largest Martian city, in my setting, is actually named Tesla. (Because of course it would be Elon Musk that started it.) There are others, started by offshoots of the initial colonial push or later ventures. Terraforming remains a distant, if obtainable, goal. (For Mars, it’s considered okay, because there’s no discernible native biosphere.)

The Moon, by contrast, doesn’t have much of a permanent population. It’s more like Antarctica today, or offshore drilling platforms. People live there for a time, mostly to run experiments or oversee resource extraction, but they don’t stay there. That’s partially from the lunar dust problem, but also because of the known existence of other terrestrial worlds. Our nearest celestial neighbor just isn’t prime real estate.

The same really goes for most of the other parts of our solar system. Jupiter’s moons are interesting, the asteroids are valuable, and Titan continues to enchant those who ponder its mysteries, but my setting (as opposed to, say, The Expanse) makes interstellar journeys possible before in-system colonization really gets off the ground. Thus, most of the Sol system is left to automated mining and collection, with a few manned research stations and the occasional torus or O’Neill cylinder construction for those who really do want to live in space.

Economics of colonialism

That, more than anything, is my main assumption. With the galaxy (or at least our little corner of it) open to humanity, wars over living space really have no need to exist. Rather than fight a bloody war with only the barest hope of success, separatists, if they don’t mind packing up and leaving, have any number of places to go. Which brings us nicely to the colonies themselves.

Human colonization of the stars, in this setting, proceeded in waves. First, the initial push was more of a “can we do this?” kind of thing. Terrestrial planets in the Alpha Centauri and TRAPPIST-1 systems (I hope nothing in the next few years makes these impossible!) were first, because they were known quantities by that point, as well as good testing grounds. A few others then followed, once good news came in. This, I assume, would be in the latter half of the 23rd century.

Next were the profit-seekers. Larger corporations in our time have values exceeding the average country’s GDP; in future centuries, absent a revolution in the way we think, I see no reason why that would change. Thus, private spacefarers began setting up their own colonies in the systems that looked most profitable, a land grab and gold rush combined. For the most part, they would stay somewhat close to Earth, if only for the ability to easily escape if things went wrong. But one colony, named Marshall, was founded specifically to be on the frontier.

For the most part, the early 25th century continues that trend, though the attacks on Marshall (the prologue of Innocence Reborn) ultimately result in a 50-year moratorium on claiming new planets. Instead, new colonies are only allowed on worlds which already have a human presence. They’re big enough, after all.

The end of that ban, however, changes the game just a little. Now, instead of one group running off to take a new planet entirely for themselves, Earth’s governments (national, corporate, and larger organizations like the UN) have agreed to restrict the practice to partnerships. That’s why Malacca (the main “base” colony for the second half of Innocence Reborn) has not one colonial government, but five.

That’s the “current” era of colonization, in terms of the setting. It ends up being slightly cheaper overall, so the corporate bean-counters like it, and there’s less risk of a catastrophe, so risk-averse types feel a little better. And that opens up the many worlds to smaller groups. Marginalized sects were some of the first: Palestinians, Rohingya, Marxists, supremacists of every stripe. Utopia-seekers also joined in, as well as experimentalists who wanted the chance to try out different social philosophies.

I specifically designed Malacca to house one of each type of colony, purely to illustrate that. Rosaria, where the orphans make their new home, is a fairly typical corporate state, a company town projected into the future. Yuan Yang is the (Chinese) government-run colony, which keeps both its culture and economy very close to home. Windmore is a social experiment run by Brits wanting to try out direct democracy; it has the most distinct cities, but they’re all much smaller, and that’s how they like it. Pele is the research center, run by North American universities, with the feel of a college town. And Little Eden, though it hasn’t appeared on screen just yet, showcases the utopia option—specifically, that’s a retro-revival of older forms of Christianity.

All in all, with hundreds of colonies in existence at the time of the “main” storyline, there’s plenty of room for a writer to play around. And I fully intend to. I would like to do a few shorter stories set in different parts of the Orphans setting, those not touched by the all-kid crew of the Innocence. And I wouldn’t really mind if others wanted to do the same. Just ask, and I’ll be happy to help.

This is the end of this part, but not the extended postmortem that is this series. I hope to be back soon, because there’s still so much left to say.

Orphans of the Stars setting notes 1

With the recent Patreon release of my novel Innocence Reborn, I want to take a closer look at the setting I’ve created for the series as a whole. After Otherworld, it’s second in terms of level of detail, and being a futuristic science fiction setting means it requires a completely different sort of worldbuilding. So here we go. This may or may not become a regular miniseries. We’ll just see where it takes us.

By the way, this post is obviously going to have major spoilers for the book, so you can’t say I didn’t warn you.

Timeline

Although it’s never explicitly stated in the text (mostly because I don’t want it to be too obvious when I get it completely wrong), I do have a sketch of the setting’s timeline. The Innocence Reborn prologue, for instance, is supposed to take place in the year 2432, while the main body of the story is set over a century later, in 2538. Plenty of time to develop technology, etc., but not so much that humanity is completely unrecognizable. That was what I wanted, though I did have to make a few assumptions to get there.

Almost all of those are currently backstory, and we’ll get to them a bit later. Before that, I do have to mention one of the most fundamental conceits of the setting. See, it’s intended to be slightly “harder” than a space opera, in that most things are within the laws of physics as we know them. There is faster-than-light travel, because that’s central to the story I wanted to tell. And that causes a bit of trouble with causality and even basic timekeeping. So 2432 is the time on Earth, but current physics tells us that ships traveling FTL would effectively be going back in time, which makes things difficult.

Well, that’s because of relativity, and the handwaving for Orphans of the Stars is that relativity isn’t quite correct. You’ve got a few loopholes, so to speak. (Behind the scenes, the story universe is, in fact, a simulation that explicitly or accidentally allows such “exploits”. The characters don’t know this, of course.) It also means there’s something like a universal or preferred reference frame, which may or may not solve the timing problems.

Assumptions

Now, on to those assumptions. The other ones, I mean.

As I said, FTL travel is possible in the Orphans universe. It’s not instantaneous, but it is possible. That opens up the galaxy to human exploration and colonization. And that leads to the next big assumptions. First, Earthlike planets are relatively common, especially around G, K, and M stars. This is a simple extrapolation of current findings; estimates using data from the Kepler mission indicate that the Milky Way could host billions of terrestrial planets, with a fairly good percentage of stars having them in the habitable zone. And that’s not counting those slightly smaller than Earth orbiting medium-size stars like ours.

Second, and less supported by the data, is the idea that life is also relatively common in the universe. The vast majority is single-celled (or the equivalent); sentient, advanced aliens are considered fiction even 500 years in the future. Spoiler: boy, aren’t they surprised?

Other assumptions include simple, workable fusion power, ramped-up manufacturing capabilities (including orbital and deep-space), ubiquitous computing, usable cryogenic suspension, and quite a few other technological improvements. On the other hand, I assume that genetic engineering doesn’t become a huge thing—it’s mostly used for treating diseases and disorders rather than making wholesale physiological changes—and AI never gets to the “destroy all humans” stage. Yes, there are expert systems, and automation has made many jobs obsolete, but human decision-making still beats that of computers. It’s just that AI simplifies things enough that even a bunch of kids can fly a spaceship.

More importantly, there are a few sci-fi staples that don’t exist in this setting. Chief among those is artificial gravity: when the Innocence (or any other ship) isn’t accelerating, the people inside are weightless, and that causes problems. Well, problems and opportunities, because we are talking about a bunch of kids. Also absent are tractor beams, shields, transporters, and other such “superscience”. Terraforming is possible, but it’s been avoided so far out of respect for native biospheres. Antimatter is horrendously expensive, and more exotic particles are as useless commercially as they are today. Nanotechnology hasn’t advanced quite as much as one would expect, and cybernetic augmentation, including direct neural interfaces, ultimately turned out to be a fad.

Reasoning

I could have gone all out on this setting. I could have made it one of those where it’s so far into the future that it’s effectively magic. But I didn’t. I didn’t think I could pull it off.

Mostly, this series started out as an idea I had when writing Lair of the Wizards, a fantasy novel I’m putting out next month. That story is set in a borderline-Renaissance world where people with advanced technology existed, and they left some of it behind. It’s Clarke’s Third Law, but seen from a different point of view, one where we are the sufficiently advanced race. By and large, the characters are children, adolescents, or young adults, and that made me wonder if I could write an adventure-filled, yet still scientific, space drama revolving around characters of similar age.

As it turns out, I can. Maybe it’s not good, but I like it, and I’ve always said that I write stories primarily for my own enjoyment. The same is true for the settings themselves. Just as Otherworld is my linguistic playground, the Orphans universe (I still need a catchy name for it) has become my futurism playground. It’s where I get to play around with the causes and effects of science and technology, then go and write books about what happens when a bunch of kids get involved. And that’s what I’ve done. In fact, two days before writing this, I finished the sequel to Innocence Reborn, titled Beyond the Horizon, and I’m already coming up with ideas for Book 3.

Settings can be as deep as you want to make them. With this one, I’ve found one where I just want to keep on digging, and so I will.