No fear in a dream

I’m a dreamer. I don’t just mean in the figurative sense of being someone who daydreams, who possesses a vivid imagination. No, I have dreams when I sleep, and some of them are very intense, moving, and even profound. Some inspire me. Some change me. While I’m in my continued imprisonment due to the overwrought fears of a belligerent media, I’d like to consider a few of those that have made the most impact on my mind, my outlook, and my life.

Obviously, dreams are subjective to start, and the details aren’t exactly fixed. Here, I try to recall as much as I can; all the dreams I describe in this post are important enough to me that I remembered as much as I could.

The last battle

First is one that, to put it simply, became a book. I had this dream in 2017 (I think), and I didn’t remember much of it. What I could recall, however, stuck with me.

In the dream, I watched as a young woman picked her way through a blasted wasteland. A battlefield, littered with corpses, strewn with the wreckage of artillery. She walked along, looking into the dead eyes of men she might have known, men who could have been her friends, relatives, elders. What she was looking for, I knew immediately: a way to stop this carnage from ever happening again.

The scene she saw was the “last” battle. Not an apocalyptic showdown at the end of the world, but certainly the end of the world she knew. Or possibly the one her parents had known, a world whose death gave her life.

This dream was cinematic in the extreme, and I felt like I had watched the trailer for an epic movie or TV series. I hadn’t, though. This was all in my own head. But it wanted to come out, and so I kept it in the back of my mind for months, until I had the chance to write Shadows Before the Sun, a novel I’m still holding back in hopes of finding a “real” publisher.

The book (the first in what I’m calling the Occupation Trilogy) mostly centers on Lia Maratte, a 20-year-old woman living in a backwater village in a conquered nation. Her late father fought on the losing side a generation ago; her half-brother is of mixed blood. And her people, subjugated by their conquerors, are ripe for revolution.

All that from a single scene that couldn’t have lasted longer than a minute of real time.

The sacrifice

As anyone who has read my writing knows, my cousin passed away in 2014, at the age of 35. He died of complications from the flu, probably the main reason I feared for my life far more in December (when I had the flu) than during the current panic.

While my dreams of him after he was gone were intensely emotional, and they greatly aided me through the grieving process, the one I had the night before seems more appropriate.

Something was destroying civilization as we know it. Meteors, asteroids, or some sort of threat from outer space; I don’t remember the specifics. People were forced to shelter, to hide in bunkers—for a real reason, unlike certain lockdowns. But we found the key. My family, specifically myself, my brother, and two of my cousins…including the one who died the next day. We found a way to stop the threat.

A secret lunar base, built by who knows who, held a weapon capable of ending the calamity. Problem was, nobody knew how to make it work. So, with myself as the lead, we studied it until we could. But it wouldn’t be enough.

Or so we thought.

My cousin stepped in front of the barrel of this weapon, and I watched in horror as he was sucked inside. But then the thing activated destroying whatever it was that had threatened the world. I had to go back to Earth to help lead the recovery, another case where my dreams make me out to be more than I am, while my brother continued to study the weapon. I woke up soon after. Twelve hours later, we got that terrible call. He didn’t die sacrificing himself for the good of humanity, but to a virus we’re now being told is, compared to the one of today, mostly harmless .

Into the unknown

I’ve made no secret that I consider myself an agnostic humanist. Thus, my opinion on the afterlife is that I don’t have an opinion. I’d like to believe that there’s something waiting after the end, especially in times like these, where the end feels so much nearer. But I can’t prove it, and my rational mind wants proof before committing to anything.

Rationality doesn’t exactly exist in dreams. And you know that old saying? “If you die in a dream, you die in real life.” Uh-uh. I’m living proof. (Unless I’m already dead. That might explain why I sometimes feel like I’m trapped in an unending cycle of pain and punishment.)

The first time I died in a dream was…years ago. I can’t be more specific than that. I think it was after 2006. And it was not only a profound experience, but an utterly frightening one.

I don’t remember the exact circumstances of my dream death. They weren’t important in this one, because the focus was on what happened next. I had what can best be described as an out-of-body experience, watching my physical form recede as I rose. Up I went, into the sky, beyond the atmosphere, through space. I looked out as I ascended, and I saw two things: the moon and a space station.

With the certainty of a dream, I knew what would happen. If I could get to that station, the scientists there could put my mind (or spirit or soul or whatever) into a new body, and I’d live again. If I went to the moon instead…well, I didn’t know what waited for me there, just that it was whatever fate awaited anyone who died.

I pushed. I pushed and pushed with my mind, trying with every ounce of mental might to change my trajectory, to aim for the station. And I couldn’t. I couldn’t move an inch from the path I was on. It’s rare that I wake in a cold sweat, but this was one of those times.

Home is where the heart is

I wrote this one down with a date: December 17, 2019. Three months ago, give or take, and much of the memory remains fresh.

Again, I died. This time, I seem to have taken much of the world with me. Awfully selfish of me, I know, but it wasn’t like I was in control. (I’ve never, to my knowledge, had a lucid dream. The best I can do is noticing when I’m dreaming and jumping out.)

The last scenes played out like a movie, much as in “The Last Battle” above. This time, however, it was a better production. I had an orchestral score that waxed and waned following the mood. There was a narrator: me. And the whole thing moved me so much that even recalling it for this post almost brings me to tears.

A woman—possibly Lia, but probably not—walks along a beach that’s slowly drowning under a rising tide. Every few steps, she finds a note from me, like a journal I’ve left one paragraph at a time. She reads them silently, and I read them aloud. I say goodbye to my family. I apologize to all I’ve hurt. In the last, most bizarre, note, I recount receiving a letter from Donald Trump. He told me he was resigning as President, because “it’s all over now anyway.”

After that, the woman walks a little more, now skipping from sandbar to sandbar, because that’s all that left. The music rises to a crescendo of mournful strings, the waves lap at the last remnants of the shore, and I speak this heartbreaking narration:

I lived my life a week at a time, each passing in a blink. Everything around me faded away. My family, my friends, the woman I forgot how to love. My home. All my memories taken like land by rising waters…

I am home. Home is where the heart is.

The last two sentences echo, slowly fading as the scene does. Then comes a fast montage, as if my life flashed before my eyes, but in reverse. And I find myself in some kind of bar or club, jerking awake at a table. A couple of seconds later, I do the same thing in real life, but in my bed instead.

Together forever

I’ve made no secret that I’m in love with a woman. And she’s probably reading this. What never fails to surprise me is that the feeling is mutual, that she loves me in return. When I’m down, I don’t believe I’m worthy of it, or her. When I’m up, I curse the circumstances that keep us physically separated.

I’ve only rarely had dreams of her. I can’t say why; you would think, given how much of a positive influence she has had on my life, she would be more prominent in my subconscious. But apparently not. Still, there are quite a few oblique references I can recall. “The woman I forgot how to love” is one: that dream came at a time when I thought we’d broken up. And I treasure the few cases where we meet in the realm of slumber, none more so than a case from last week.

We got together, to put it simply. We met, hit it off, and realized that we were made for each other. (I’ve felt that way for months already, so that’s no big shock.) Then, the passage of time accelerates. We’re married, we have children, we live together—all the goals I feel coronavirus is taking away from me even as we speak. At some point in the distant future, she dies, and I spend a few years mourning. Ending my time in this world alone, the same as how I began. And then I die.

I don’t subscribe to the fanciful notion of heaven so popular in literature. The whole “we live on clouds and play harps all day” thing just doesn’t resonate with me. And that’s not what I got here. Instead, I was told my soul would be going to “the end of the universe.” A very nebulous term, to be sure, but that’s what happened. My soul appeared to my mind’s eye as a ball of light, glowing, pulsating. When I arrived at this place beyond places, I saw others just like that. Thousands of them. Some I knew, most I’d never met before.

And then I found her.

I intuitively knew it was my love, despite our lack of physical form. I went to her, and the lights that represented us merged. At that moment, I felt a surge of emotion, of pure love, unlike anything I’ve ever known. We had become one, in a way impossible on this mortal coil, and we would stay that way forever. It was beautiful, it was glorious, and it was…comforting. I described it to her as a spiritual experience, and I simply can’t think of a better term.

It didn’t give me faith in the divine. It didn’t restore my faith in humanity, which has taken a beating in the past month. But this dream did let me believe that, if I don’t give up, we can make it. As I write this, it’s one of the only things keeping me going. I want to make this dream come true more than I’ve ever wanted anything in my life.

I just wish the world would give me the chance.

Release: Alone With Myself (Tales of Two Worlds 2)

The tales continue. Here’s the second of Tales of Two Worlds. Be warned, this one is the closest I’ve ever written to a “bad guy” point of view.

Another world. The other world. Pete Towson always knew aliens existed, but when he was presented with undeniable proof, with the chance to meet them in the flesh, he knew he had to take it, whatever the cost. Now, alone in an unfamiliar land, he must use all his skills, his intelligence, and his cunning. The first task is survival, but where will his road lead?

“Alone With Myself” is, like every story in the Otherworld series, currently exclusive to my Patreon. You can get it and the entire saga for a pledge of only a few dollars a month.

Next up is “Secrets Uncovered”, coming in May. I hope to see you then. For now, keep reading!

Amazon release: Change of Heart (Endless Forms 3)

I know I said Innocence Reborn was the next novel I’d release, but this one slipped in. Today, March 24, you can pick up Change of Heart, the third in my Endless Forms paranormal detective series, on Amazon in Kindle and paperback formats.

What is real, and what is within our minds?

Cam Weir has seen things no human being should ever look upon. Once, he was a skeptic, believing that monsters were nothing more than figments of the imagination. Hallucinations, certainly not reality. But now he knows the truth.

And the truth is only getting stranger, for this case doesn’t match those he has investigated. Details are different. Motives are unclear. Worst of all, the gruesome murder of an accountant will lead Cam to a frightening conclusion. Because this monster will strike too close to his heart.

The Kindle version is $3.49, while the paperback format costs a little more at $9.50, but it’s worth a few extra dollars to have the physical book in your hands, isn’t it? And if you want access to all my works, make sure to check out my Patreon, where you’ll find everything.

Although all my writing is currently on hold, I do plan more in the Endless Forms series. Pitch Shift is the 4th book, and it will come one of these days, I promise. So enjoy Change of Heart, and keep reading!

Panic attack

(Yes, this is the token coronavirus post. Everybody else is doing it, so you can’t blame me.)

I had a major anxiety attack over the weekend. Well, it actually started building as early as last Wednesday, only blossoming into full-on despair and nihilism Saturday evening. And that has nothing to do with being sick. As far as I know, I’m not infected. Even if I were, I doubt it would have that effect.

The truth is, I’m not afraid of catching this virus. No more than I would fear the flu or pneumonia or something similar, anyway. Yes, I worry about the possibility of infection, because I always do. I can’t afford to go to the hospital. I don’t have a primary care physician I can call on. So the prospect of suffering an untreated illness does, and should, concern me. That’s true whether the virus that caused it is the same seasonal flu strain that hit me in December or the (most likely man-made) SARS successor causing so much uproar around the world.

No, what triggered my anxiety to ludicrous levels a few days ago wasn’t the thought that I would get sick or even die. I’ve been through that one. Three months ago, while I lay in the bed, wracked alternately by aches or chills, I contemplated my own death, because I figured it was coming soon. My cousin died from the flu in 2014, at 35, so it wasn’t out of the realm of possibility. (And anecdotes may not be a substitute for data, but my very real experience with flu-related death is enough to make me feel that the current panic is overblown.)

What drove me to the brink of insanity was the thought that I would lose a loved one due to this. And the irrationality of depression provided two potential avenues for that to happen. The first is obvious: someone in my family contracting the virus. I have a lot of family members who are old, who continue to smoke despite my fervent pleas to quit, and who simply aren’t in the best state of health. I’ve lost one uncle already in 2020, and…I’m tired of funerals. Especially the kind around here.

The second conjecture was, to me, far more likely. As I have stated in the past, there is a woman out there whom I love very dearly. She’s likely reading this; if so, I hope she forgives this frank exposition of my mental state.

Unfortunately, she lives almost 100 miles away. I’ve been trying for months to…well, to get my act together, to find steady work, get a vehicle of my own, and so on. Every step of the way has been fraught with peril, it seems, as though all the forces in the world stood ready to stop me. I’m not a superstitious man by any means, but it’s almost enough to make me believe in curses, because the law of averages says I should’ve succeeded at something by now.

With the panic gripping the world, however, I felt my chances had finally run out for good, that I had lost my last opportunity to claim the life we both believe we deserve. If the whole world is locked down in quarantine, how am I to get to her? Who’s going to hire me when nobody is allowed to work? We’re both in our 30s, so I’m acutely aware of the biological clock factors at play, too. Four weeks—or four months, as some are claiming might be “necessary”—is time I don’t feel I have, time I can’t waste sitting around. Not if I want to achieve my ultimate goal of becoming a family man, of living a life worthy of the name.

All that came crashing down on me Wednesday and Thursday, and it hit hard. I tried writing on Thursday, and I just couldn’t find the will. My worlds are my escape, and I felt like there was no escape. Insomnia kept me awake, tossing and turning through each night, into each morning; what sleep I did get was light, troubled, not at all refreshing. On Friday, I made the mistake of pushing her away for the weekend. Some dark, disturbed part of me suggested I should do one better and break away for good. At least then I’d only be ruining one life, it argued. Saturday mostly involved lying in bed, listening to music, thinking, and trying not to cry in case the toilet paper scalping keeps going.

We talked on Sunday, and I vowed never to lose my mind like that again. I hope it’s a promise I can keep. For that matter, I hope I can keep all my promises to her. Especially the ones that lead to us living not just happily ever after, but together.

I’ve seen my life alone. It’s not pretty. It’s barely worth living, to put it bluntly. So now it’s time to fight. Fight the panic, fight the demons inside me, fight all those who stand in the way of the life, the love, I should have had all along. I know it’s not easy, but I’ve taken steps, following the mantra I have made my own, the opening lines of “Recreation Day” by Evergrey:

One step at a time.
Small progress seems futile,
but is as valuable as life.

Meet the family

Innocence Reborn is my newest novel, the first in the Orphans of the Stars sci-fi series, and it’s coming to Amazon in paperback and Kindle formats on June 9! Remember to check out the free prologue on my Patreon, and enjoy this look at the story’s characters.


The primary story of Orphans of the Stars as a whole, and particularly Innocence Reborn, centers on children. Some are fairly young, some are nearing adulthood, but all are underage. As the story progresses, they come to be one big family. Not always a happy family, thanks to the events of the novel, but they all know they’re stuck together, that their fates are intertwined. So let’s take a quick look at each of them.

Main characters

First up are the “main” characters, those whose perspectives we see. All told, of the 17 on the Innocence roster, ten of them get time on stage in the first novel, with a few others having their chance to shine later in the series.

  • Levi Maclin, age 15, is a space nut. Oldest of three children, he’s enamored with space, and he loves the idea of traveling through the starry void. Adding to that, he has those natural leadership qualities that make him take charge in a pinch. Levi can get stressed, and his decision-making abilities aren’t always the best, but he feels personally responsible for those placed in his care, in a way that, for example, a military captain wouldn’t.

  • Justin Maclin, age 11, is Levi’s younger brother. Your typical preteen, for the most part, Justin tries to play the tough guy. He’s not a bully by any means, but he does consider himself very masculine. He likes cars, space fighters, action movies, and things like that. Anything fast and furious, anything that explodes. He’s good at making friends, too, as long as they’re other boys.

  • Gabriel Cross, technically the oldest boy on the Innocence at age 16, doesn’t want to be a leader. He’s more of a thinker, a problem-solver. At home in Amarillo, he’s on the track team, which leaves him very put off by the idea of a place where you can’t run. So he sometimes complains about being in space, but when there’s work to be done, he’ll do it. Of the whole group, Gabriel’s also the most paternal and charitable, especially watching out for his siblings by birth, but ready to help anyone in need.

  • Hanna Laviola, also 16, earns the title of oldest overall by a few months over Gabriel. She’s a native and lifelong resident of Marshall Colony’s capital city of New Venezia, where she has a summer job wrangling the children of the elite visiting Outland Resort. But she likes that. She loves working with children, and her career plans revolve around daycares, preschools, and the like. Ending up in a situation where she has to become the counselor to sixteen scared kids, all while floating around in space, never crossed her mind.

  • Ed Tran, age 15, isn’t a prodigy. He doesn’t consider himself a genius, and he isn’t even sure he wants to follow in his father’s footsteps. But his father is a doctor who talked his way into a paid vacation at Outland Resort, ostensibly to study the effects of its environment on visitors. Ed comes along for the ride, because it’s summer, he’s out of school, and maybe he can make a few friends among the upper crust. And he has picked up some medical knowledge, which is a good thing to have on a ship full of kids.

  • Lucas Joshi is only 13 years old, but his future is already planned. He’ll inherit the family fortune, and what a fortune it is: stock options, cash, property, and probably even mineral rights for a lunar crater or two. His mother is the bigwig in the family, and she taught her son well, showing him the ins and outs of business firsthand. As the proverbial rich kid, he doesn’t like interacting with other children without a reason, which leads some to see him as shy and withdrawn. But behind that quiet exterior lurks a growing intellect and a corporate-trained ruthlessness.

  • Mika Harriman is 14, and she’s a colonial girl through and through. She loves her home on Marshall Colony, and she can even stand Outland Resort. After all, her mom works there, so it obviously helps the colony. In most respects, Mika’s a typical teenage girl, and that makes her hard to describe in broad strokes. She has an intelligence and an analytical brain, which has led her to find interest in STEM fields, but her emotions sometimes get the better of her. At her age, that can lead to fireworks.

  • Tori McConnell, despite being 11 years of age, would boldly claim to have spent a decade in space. She really hasn’t, though. It’s more like five summers, a couple of winter breaks, and the occasional jaunt to an orbital station. All of that came in the company of her uncle, Glenn; her parents died when she was very young, and he took her in, adopting her and bringing her with him whenever possible. Tori considers herself a space expert, a model crewman, and someone twice as old as she really is.

  • Nic Cross, also 11, is Gabriel’s little brother. He just started middle school in the year before his big brother won a vacation to the stars, and he’s loving it. Strong for his age—he’s already the star of his school’s wrestling team—and loyal to his friends, he knows he’s not cut out to be the captain of a spaceship. Instead, he’d rather find other ways to help. All he wants is the chance to be in control of his own life, just like any middle child.

  • Derry Glass, age 12, is shy, slight, and smart. Although she’s very often timid and untalkative, she can get a bit…intense. Especially when she finds something she likes. On top of that, she’s good at reading a situation, at seeing the possibilities. While she saw quite a few of the other children at Outland Resort while her father was working on upgrading its computer network, she barely said a word to any of them, instead spending her days reading, watching movies, learning about the world around her.

Supporting characters

Though the story of Innocence Reborn is told through the eyes of these ten adolescents (using the term very loosely in a couple of cases), they aren’t the only important characters. The other seven on the ship feature prominently. They’re always around, and some play big roles later in the series.

  • Malik Almadi, at 14, is on his way to into high school, and he dreams of being a pilot like his father. Lucky for him, the elder Almadi got assigned to the defense of Marshall Colony. So, while school’s out for the summer, he gets to watch some of the very boring patrol work that goes on in a system on the outskirts of human space. That’s enough to satisfy Malik, even as he dreams of a more exciting life.

  • Reza Vinter, 13 years old, belongs to a prestigious New England family. His brother Karim even has a job working for the State Department, giving him the opportunity for a vacation. A chance to make connections, except that Reza is an introvert in the extreme. Bookish, quiet, and altogether nerdy, he’d rather be anywhere than a resort, let alone one 70 light-years from home.

  • Alicia Cross, youngest of three at 10, looks up to her brothers Gabriel and Nic. But she’s also her own girl, with her own life. She likes to explore, loves being adored as the “baby” of the family, and lives in the moment in a way her siblings barely understand.

  • Rachel Shao is a mere 9 years old, and she’s lived with her grandparents in New Venezia since she was 4. They’re all she knows. Rachel hasn’t really had time to grow much as either a character or a person yet. She paid attention to all her grandmother’s traditional cooking lessons, but not all the math classes at school. And she sometimes has trouble making friends, mostly because she’s quick to cry when things go wrong.

  • Aron Alvarez, 10, is the last of the Marshall colonials. He’s a gamer, and another child of an Outland employee. But he’s never once been in space, and it shows. He gets sick. Even after he grows accustomed to a lack of gravity, he’s still not comfortable swimming through the air. Fortunately, two other boys about his age take him under their wing, but he’d just rather play games. He’s got a lot of them, and he sometimes feels like he’s the only one who knows how to keep them organized.

  • Sora Okada, another 9-year-old, doesn’t have much to show for those years. She’s a fairly average student, quick to startle or scare, hard to talk to. Just being on a new planet overwhelms her, and that’s before she ends up on a spaceship, separated from her family, with only a bunch of strange kids for company.

  • Holly Maclin, youngest of the lot at 7, is Levi’s little sister. It’s hard to talk about her without spoiling the novel, though. Here, I’ll just say that she’s fond of her brothers, and that she is young enough that wonder comes from more than space for her.