Finished with about a week to spare. Good thing, too. I know next week is going to be awful for reading, and the weekend won’t be any different. Anyway…

Fantasy

Title: In the Shadow of Lightning
Author: Brian McClellan
Genre: Fantasy
Year: 2022

I got this one for Christmas two years ago. Never actually read it, mostly because so much in my life was turning upside-down around that time. So I promptly forgot about it and, when Christmas of last year rolled around, put it on my wishlist again. My brother, always willing to try for a laugh, swiped it out of the pile in my room, wrapped it back up, and gave it to me again. And I’ll admit that I was fooled.

The book itself, now that I’ve actually read it, is great. Brian McClellan is one of my favorite current authors, because he really seems to care about his worldbuilding, while also being able to tell a good story without getting bogged down in minutiae. Plus, he specializes in a style of fantasy that’s post-medieval, more 17th than 12th century, which is refreshing and fun. If anything, that’s how I feel reading his books: like I’m having fun.

With In the Shadow of Lightning, that trend continues. The pace is lively throughout the book, and there’s almost never any real downtime. Things happen, and then something else happens on the next page, and so on. No long monologues, very few digressions. The book is long, but tight. I could easily imagine it being another 200 pages if written by most other authors.

The story itself starts out almost typical, with the fantasy cliche of an imperial hero putting down the wicked rebels seeking a measure of autonomy. Things go wrong quite quickly, however, and the main story begins a decade later, with that same hero now living in exile. He gets drawn back into the political game, and there’s not a minute where things let up from there.

Along the way, there’s a lot of fighting. McClellan is definitely a military fantasy writer, and it shows here far more than it did in the Powder Mage series, which was about a war! Essentially the whole book has as its main event a war between the empire and a neighboring country that has retained its independence through trade. Kind of like Venice or the Netherlands, is how I see it.

The lead-up to the war is part of the plot, so I won’t get too into spoilers here. I will say that I guessed "false flag" about five pages into the first post-prologue chapter. Not because it’s telegraphed, but the details simply aligned with what I know of how false flag operations are pushed. 9/11, 1/6, 10/7…anyone who really digs into terrorist attacks and assassination attempts will see that some patterns emerge, and a lot of those patterns point to the supposedly "random" shootings and "unprovoked" attacks actually being started by other agents. Agents of chaos.

Brian McClellan clearly also knows this, as he throws in every single one of the elements we now know to be signs of a false flag operation: a killer who just happens to be of a specific nationality, economic chaos at just the right time, conflicting or outright forged orders, media propaganda to hide the truth. If he isn’t making a statement, then I can’t wait to read the book in which he does.

And that brings me to what I feel is the worst part of In the Shadow of Lightning: the Ossan Empire itself. Rather than your typical fantasy autocracy, possibly with a secret cabal of ministers who are the real power behind the throne, McClellan just jumps straight to the cabal. Ossa is an oligarchical empire where the powerful families vie for dominance.

It’s more of a Renaissance Florence than a High Middle Ages England, in that sense. In the social sense, however, it’s closer to the Weimar Republic…or modern America. The nature of magic in the setting requires body piercings and tattoos, and that’s fine. It’s an interesting twist. But the empire seems to be a place that has given in wholly to decadence and hedonism. Religion has become just another form of commerce. Gender roles are completely absent.

So are sexual roles; essentially every character whose preferences are mentioned has no preferences. At one point, I joked to my girlfriend, "Everybody in this book is bi!" And it’s true. Combined with the guild family dynamic that is ever-present, and I got the same feeling as I did with The Expanse: this whole place is rotten, and there’s nothing even worth redeeming.

If that is another way of representing an empire in decline, then I’m okay with it. It’s a pattern that has recurred throughout history. The failure of the family unit, and the transfer of the nurturing role to government or society at large has happened before. It’s happening now. And the backlash from those who understand human nature has invariably been disastrous.

But this book is anything but a disaster. Read it for what it is: a fun, fast-paced ride through a dying empire, in a world where magic is flashy and deadly. You get some great battles, a lot of political intrigue, and even some Lovecraftian horror near the end. Just remember that the secret cabal of people who masquerade as normal humans to sow dissent and chaos, using degeneracy to bring an empire to its knees while controlling its government and economy from the shadows, is the least fantastic element of the story.