2018: a recap

So it’s another year in the books. 2018 is ending, and I think that’s something we can all be thankful for. No matter what you believe, no matter where you live, no matter who you are, this one’s been a wild ride. For me, that’s especially true. I’ve done a lot this year that I didn’t think I’d ever do, and you can probably figure out some of that by reading between the lines on my posts the past few months.

But now we have to look forward to 2019, the year of the future. (Seriously. Blade Runner is set in 2019. PKD couldn’t write some of what’s happened in real life lately, though.) Other places can give you some idea of what to expect in the wider world, but this post will let you know what it means for me.

First off, my main resolution for the coming year is to finish all the stories on my list. To start, that’s 6 Otherworld “bridge” novellas, which shouldn’t be too much of a problem. (I sometimes wonder if I could write one in my sleep. The way the words come to me when the mood is right, it’s not that far-fetched.) On top of those, I’ve got a pair in the Modern Minds series, Orphans of the Stars #3 (tentative title: Time in the Sun), Endless Forms #3 (confirmed title: Change of Heart), and a Nanowrimo story to be named later. All told, expect about 500,000 words of output on that front.

That’s about half of what I wrote in 2018, and an even smaller fraction of my massive 2017 output. Why the steep drop? Because I’ve got other projects I’m working on right now, most of which have little to do with writing. As they tie in to what the new year means for Prose Poetry Code, I’ll deal with all of it together.

If you’ve noticed the last few weeks, I’m working on a new conlang. Well, it’s not technically a conlang. More of a conscript, you might call it. Earlier in the year, I asked myself whether I could make a hieroglyphic or ideographic script using only emoji. The answer can be found in the 🖼🗣 or “Pictalk” series, which I’ll be extending throughout 2019, mostly at 5-week intervals.

That’s a side project, as language work tends to be for me. My “day” job, I hope, will involve programming. (I’m looking for work, and I’ve already signed up for at least one freelancing site.) That’s right. It’s time to put the “code” back in Prose Poetry Code. While I’m working on what I’m calling Project Themis, I’ll add in a dev diary every now and then. Don’t expect these to be regular—I’m not that dedicated. But this is a project I’m really passionate about right now, one I hope I can get into a stable state very soon. If all goes well (don’t count on it), I want a full 1.0 release on October 1st.

The more sporadic “whatever I feel like writing” posts will still be here, but not nearly as common. Maybe one a month, if that. Mostly, what you’ll see here in 2019 are those two series and release announcements. Unless I hit it big, of course. In that case, I’ll have a lot more free time.

Whatever the new year brings, I hope you all enjoy it, and I hope it turns out great for everyone. Just remember one thing: keep reading!

Release: Smoke and Mirrors (Modern Minds 3)

Another four months have passed since the last release in the Modern Minds series, so now it’s time for the third entry. Here’s “Smoke and Mirrors” for you:

In her old life, Tabitha had nothing. Now, she possesses a secret weapon, a talent to protect her mind from the invasion of others. And she has friends, friends with talents of their own. By exploring their minds, she hopes to unlock the full potential of her own.

Head on over to my Patreon (at least until it gets shut down!) to pick this one up. All you need is to subscribe at my Serious Reader level, which only costs you $3/month. That’s not much at all. Think of it as your Christmas present to me.

🖼🗣 : the emoji conlang, part 2

In the previous article, I showed that it is possible to create a kind of modern-day hieroglyphic script using the ~1200 emoji characters available in Unicode. Now, let’s expand on that.

Rather than go through a formal grammar, we’ll work our way up from a few simple phrases and sentences, much in the same way as a student learning a new language. 🖼🗣 is, after all, a bit like it’s own language.

Preliminaries

First off, let’s define a few very simple words. These are all “content” words, as you’ll see; grammatical particles (what few we truly need in 🖼🗣) can come later.

  • 👨 – man
  • 👩 – woman
  • 👤 – person
  • 🧒 – child
  • 🐕 – dog
  • 🐈 – cat
  • 👁 – eye
  • 👄 – mouth
  • ✋ – hand
  • 👣 – foot
  • 🍴 – to eat
  • 🥤➡ – to drink
  • 👀 – to see
  • 👂➡ – to hear
  • 🧠➡ – to know
  • 🚶 – to walk
  • 💧 – water
  • 🌬 – air
  • 🔥 – fire
  • 🌐 – earth
  • 🌞 – sun
  • 🌝 – moon
  • ⛅ – sky
  • 🔴 – red
  • 💚 – green
  • 🔷 – blue
  • ◻🌈 – white
  • ◼🌈 – black
  • ♨ – hot
  • ❄ – cold
  • 😃 – happy
  • 😢 – sad
  • 💪 – strong
  • ⬜ – big
  • 🧠〰 – smart

For most of these, the meanings should be fairly obvious. Some, however, are compounds. As an example, the color terms for white and black, ◻🌈 and ◼🌈, combine their first glyphs (ordinarily simple nominal particles) with 🌈, a regular derivation that makes color terms. Similarly, the numerous verbs with ➡ are derived from nouns; the second symbol here acts as a verbalizing suffix. And for adjectives, you can often use 〰, as we did with “smart”: 🧠〰.

Simplicity

The simplest sentences are those with nothing more than a subject, verb, and object. And, to make things even simpler, we’ll start with the most basic verb of all: “to be”. In 🖼🗣, that’s 👉. No need to worry about agreement suffixes or anything like that, though. For our purposes here, 👉 is all we need. (We’ll get to tenses in a later part.)

Here are a few examples to show what I mean:

  • 🧒 👉 😃. – The child is happy.
  • 👩 👉 🧠〰. – The woman is smart.
  • 👨 👉 💪. – The man is strong.
  • 🔥 👉 ♨ – Fire is hot.

Note that we don’t need any special word for “the”, either. It’s understood. (If you really think you need it, you can use 👇, though its meaning is closer to “this”.)

Our other verbs aren’t quite as easy to work with, but we can manage. The principle’s the same, after all:

  • 🧒 👀 🐕. – The child sees a dog.
  • 👨➿ 🚶. – The men are walking.
  • 🐈 🥤➡ 💧. – The cat drinks water.

Once again, don’t worry about the difference between English simple and progressive forms. 🖼🗣 doesn’t bother distinguishing the two.

You, me, and all the rest

Today, everybody’s worried about pronouns. Well, I’ve got you covered there, because 🖼🗣 has plenty of them.

Most languages make a distinction between persons: first, second, and third. To some extent, that’s what we’ll do here, but modern communication, especially on the Internet, is more geared towards a distinction between speaker, audience, and others. (Technically, that’s all the three degrees of person represent, but bear with me.)

A speaker’s solo pronoun is 👁️‍🗨. If they’re including others (whether inside or outside their audience), then this becomes 🤲. These are like “I” and “we”, respectively:

  • 👁️‍🗨 👉 🧠〰. – I am smart.
  • 🤲 👉 😃. – We’re happy.
  • 👁️‍🗨️ 👀 🔷 ⛅ – I see the blue sky.

(Important note: Some systems are not able to display or input the “compound” emoji 👁️‍🗨️. If yours is one of them, don’t despair. You can use 🤳 instead. It doesn’t mean exactly the same thing, as we’ll see in the next part, but it’s close enough.)

But here’s where it gets interesting. If you’re only speaking of yourself, there’s really no reason to need that cumbersome pronoun. It’s implied, because you’re the one talking. So that first sentence can become “👉 🧠〰.” instead, and it’ll mean the same thing.

Only the singular speaker pronoun can be dropped like this, which is far different from most spoken languages which allow such things.

The listener pronouns are much simpler. In fact, they’re not even pronouns at all, because there’s only one of them: 💮. Example:

  • 👁️‍🗨️️ 👀 💮. – I see you.

As with English “you”, this works for both singular and plural.

Last are what most languages call the third-person pronouns. Here, 🖼🗣 has a wide variety to choose from, so let’s take a look.

  • For talking about people in general: singular 👤, plural 👥
  • For talking about anything not human: singular ◻, plural ◻◻
  • For talking about only men: singular ♂, plural 👥♂
  • For talking about only women: singular ♀, plural 👥♀

Mostly, the first two pairs should be preferred, and the “general” form is required when you’re referring to mixed groups. And, of course, using the “non-human” pronouns when you want to talk about people is just wrong.

Some examples using these pronouns:

  • 👥 👉 😃. – They are happy.
  • ♂ 👉 ⬜ 👨. – He is a big man.
  • 👀 ◻. – I see it.
  • 👥♀ 👂➡ 💮. – They (i.e., those women) can hear you.

Possessed

Last in this little lesson, we’ll discuss the possessive form. As with many parts of 🖼🗣, that’s a little different from what you might expect. In fact, it’s one of the few cases where the script recycles English punctuation.

Our key here is the apostrophe, or single quote mark: ‘. When put between two nouns (pronouns included), it indicates that the first possesses the second. So we might say 🧒’🐈 for “the child’s cat” or ♂’✋ for “his hand”.

These aren’t exactly compound nouns, but they can function much like them, fitting into sentences with ease.

  • 👁️‍🗨️’👁 👉 🔷. – My eyes are blue.
  • ♀’🧒➿ 👉 😃. – Her children are happy.
  • 👀 ⬜ 👨’🐕➿. – I see the man’s big dogs.

In the last example above, you can see a difference between the script and English, as far as word order is concerned. The possessive “attaches” to the head noun, even if there are modifying adjectives before it.

Also, you can “chain” possessives, as in ♂’🧒’👁➿ “his child’s eyes”.

Moving forward

Now that you’ve seen a little bit more of this experiment, does it still seem so outlandish? Stay tuned, as this series will delve even deeper into the weird world of emoji, and the strange things we can accomplish when our language is allowed to use nothing else. 👀▶ 💮 🔜!

Novel month 2018 wrap-up

I know it’s late, but I felt awful yesterday. I just didn’t think I’d be able to write anything, let alone a wrap-up of the last month. So here it is a day late. Seems like that fits everything else in my life right now.

Seasons Change was, by the rules of the game, a success. I completed a story of at least 50,000 words in the month of November, and I did it without stressing myself to the breaking point. (Other factors in my life took me there, of course, but that’s neither here nor there.)

The story itself isn’t my best, I’ll admit—that honor still goes to Nocturne. This one I’ll call solidly average. It didn’t have any big moments. Instead, it was more of an opening piece intended to fill in the backstory of the Otherworld. In that, I think it worked. Especially the ending, as it directly connects to Falling Into Place, the penultimate entry in the “season 2” set of Otherworld tales that I’ll bring to you in 2019.

On the writer side, I also had a lot of good fortune, relatively speaking. Except for this head cold (or whatever it is) I’ve suffered the past few days, most of the month was decent. Not great, but passable. I didn’t get into a bizarre sleeping schedule that effectively took away a writing day. The weather was both unusually clear and unseasonably cold (highs for November averaged 7 degrees below normal!), so no storms knocked me out of the zone. Debian was kind enough to hold off on any breaking upgrades. And my family made it through what’s often a tough time without too much hassle.

All in all, this year was both a nice change of pace and a great return to form. The last time I truly “won” Nanowrimo, in the sense of completing both objectives, was 2015, with The City and the Hill. Maybe that’s the trick. Otherworld seems to work for me. Which is a great thing, because I’d really like to spend more time there. It can’t be worse than here.